This production collaboration from the PWA crew was photographed in April this year, and nearly got left behind, had I not carried out one of my occasional archive 'sweep ups'. Soap, Zake, Face 1st and Chill have combined to create this zany and energe…
Soap, Zake, Face 1st and Chill, Coach and Horses, Bristol, April 2024
This production collaboration from the PWA crew was photographed in April this year, and nearly got left behind, had I not carried out one of my occasional archive 'sweep ups'. Soap, Zake, Face 1st and Chill have combined to create this zany and energetic piece.
Soap, Coach and Horses, Bristol, April 2024
Starting off with Soap, who has been a little quiet of late, and this writing/character combination. I have spent way too long trying to find out who the character and cat are and what cartoon series they belong to (possibly Adventure Time?). Some beautiful blue letters here spelling SOAP set on a green and pleasant background that Chill has enhanced with his silhouetted plants along the ground.
Zake, Coach and Horses, Bristol, April 2024
Next up is a very curious character piece by Zake, which unusually has the whole character and not just the head. The character's body is brilliantly drafted, with some lovely detail around the knuckles, stitching on the trousers and shoes, but then you get to the head... What has happened here. Expressive it might be, but I find it slightly grotesque, but that is the joy of cartoon characters, you can make them do unreal things.
Face 1st, Coach and Horses, Bristol, April 2024
Face 1st gives us a classic laughing girl piece with the letters FACE staked up in her hair. The letters follow the recent interest that Face 1st has shown in creating 3D blocks, and works very well in this piece. It is so good to observe Face 1st pushing his boundaries and expanding his repertoire.
Chill, Coach and Horses, Bristol, April 2024
Chill, I feel, is an underrated and underrepresented artist on the Bristol scene. I rarely see his pieces shared on social media, and I feel he doesn't get the recognition he deserves. His characters are always on point, full of fine detail and comic expressions, and he combines his urban 'geezers' so well with his beautiful and fragile nature silhouettes that accompany this entire production and others. This is a fine collaboration from the PWA boys.
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