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Saturday, 18 May 2024

Cardcaptor Sakura Forgery

For the last project in my Animation for the Illustrator class, we could choose any piece of animation we wanted to base our illustrations on. I get very anxious when I am given that amount of freedom in a class, because I don't like to show people th…
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Cardcaptor Sakura Forgery

Nicola Veniamin

May 18

For the last project in my Animation for the Illustrator class, we could choose any piece of animation we wanted to base our illustrations on. I get very anxious when I am given that amount of freedom in a class, because I don't like to show people things I like. It's a social anxiety thing. After much deliberation, I chose Cardcaptor Sakura, partially because I love it with my whole soul and partially because it felt like a safe option compared to other things.

The titular character, Sakura, summons Clow Cards, each of which has a unique ability which can aid her in battles and daily life. The idea was that I would design a new Clow Card for Sakura to use. I agonized over what the card would be, but I settled on The Puppet, which can control people's movements. I had twenty-six ideas in total, so it was hard to choose. I would like to make honorable mention of The Lighthouse, which would be a light guiding her to wherever she wanted to go, and The Gun, which is a gun. 

The next step is where I got lost, unfortunately, because I wanted to make a fake screenshot of Sakura using the card. I spent the vast majority of my time on this project trying to forge a perfect fake, and I didn't even add in the puppet strings until the end of that arduous process. As a result, the puppet strings seem to look out of place in the 'screenshot'. 

I tried my hardest to make it look like 90s cel animation. I chose a round brush with hardly any line variation for the line art, and when I had completed the image, I duplicated the line art, blurred it, and offset it, to create a 'shadow' behind the 'cel'. I wanted the circle to look like it was created with underlighting, a technique that involves shining a light from underneath the animation cels to achieve a glow effect. To that end, I also made sure to let some of the glow light overlap Sakura, which I noticed in many screenshots. Lastly, I put a random noise filter over the whole image to give it that 90s look.

Only after completing that forgery did I draw the card design itself—at three in the morning. I decided to leave it rough because I was tired, and I figured it didn't need to be polished to get the idea across. The card to the right of it is a sample of an actual Clow Card, for comparison.

While I did enjoy this project, it made me realize how much I censor my art and how miserable that is. I wonder what I would have done differently had I not been compromising with a hypothetical audience who throws rocks. I have made a sort of art resolution, a few months too late for new years, to design my art around what I want to make, not what I think will be palatable to others. I have been moving in a more earnest direction over the last couple semesters, and I will stick to that path to the best of my abilities.

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